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But more importantly, she added, she hoped the book would help women find a community that would support them, understand their needs and help them navigate difficult circumstances. Sekyiamah said she hoped the book would give African women a window into the divergent ways they could experience pleasure, rediscover their sexual power and gain agency over their bodies.
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“Pleasure, and owning your pleasure, and wanting to liberate yourself sexually, is not a white woman’s life adventure. “Sex drives are important to us too,” Eltahawy said in a phone interview. The book appealed to her, she said, because it showcased the stories of African women of different sexualities, abilities, religions, economic status and national backgrounds. The movement is “part of a sexual revolution that’s happening across our continent,” Eltahawy said.Īs a woman of color and feminist writer who grew up and has worked in both the Middle East and the West, Eltahawy said the book made clear that “cisgendered, heterosexual, able-bodied, privileged white women” were far from the only ones exploring themes of sex and sexual fulfillment. The positive reaction to Sekyiamah’s book was “so powerful and so necessary,” said Mona Eltahawy, the Egyptian American author of “The Seven Necessary Sins for Women and Girls” and “Headscarves and Hymens: Why the Middle East Needs a Sexual Revolution.” These examinations are happening even as cases of domestic violence increased during the pandemic and women continued to face arrest for violating public morality laws. Over the past decade, the poetry of the Ugandan activist Stella Nyanzi, books like “Sex and Lies,” by the French Moroccan author Leïla Slimani, and podcasts like The Spread, AfroQueer and Feministing While Malawian have all animated raw conversations about African women’s sexuality and the ways politics, power and patriarchy try to keep it under check.
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The book’s publication comes at a time when writers across the continent, and their readers on social media, are increasingly talking about intimacy, love and gender equality, and questioning the role of the state and of religion in sexual oppression and freedom. Many have also spoken publicly about giving the book as a gift to encourage discussion among friends and family. The book has drawn rave reviews, including praise from the publisher and writer Margaret Busby, the writer NoViolet Bulawayo, the Booker Prize-winning author Bernardine Evaristo and countless other women who share their reactions on social media, laughing and weeping over the healing and heartache they find in the collection. “It just felt so narrow to me because you never got the fuller story.” and AIDS, and who have been mutilated,” she said, referring to female genital mutilation. “We are always being portrayed in extremely limited ways,” Sekyiamah said in an interview.Īfrican women, she said, are often seen as people who are “passive, miserable, constantly pregnant, suffering from H.I.V. For Sekyiamah, who was among the audience of 200 watching the book’s adaptation at the Alliance Française theater in central Nairobi, the experience brought to life not only the stories she had captured but also the necessary conversation she hoped to spark about the vast tapestry of African women’s sexuality.